Bart

During our "staycation", I even shot some photos in our own neighbourhood 

I took some digital images as well but who knows when these will get processed 

When a film roll returns, I think it's just some 30+ images so, I'll process these quickly ("between the soup and the potatoes" as we say over here   )

Never a clever idea to do things in a haste since I'm bound to overlook some options    but anyway, here's the rest of the HP5 roll I wanted to share.

1. @28mm

2. @75mm

3. @75mm

4. @75mm

different day

5. @35mm

6. @90mm

7. @90mm

8. @90mm

another day

9. @50mm

10. @50mm

On another day, we "turned left" and headed over to Knesselare, amidst the fields and along the canal.

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6. Sometimes, you happen upon something left behind

Thanks, Tony.

My pleasure 

added my first F-mount autofocus 35mm: tamron sp 35mm f/1.4 

(summer sale)

I have some scans of analog photos that fit in this thread, I think.
Pretty sure I haven't posted these yet: colour film 

First set is from a village on the river Lys, Astene 

Ektachrome E100

flowers on the ridge of a bridge

sculpture, half of a pair named "the lost art of conversation"

Thistles in a wheat field

one from Ursel, a neighbouring village

Portra 400

one from Herzele, more towards the center of our country

Ektachrome E100 again

Finally, two from Ooidonk on Lomography Colour 100

a fragment of the roof of the castle Ooidonk is best known for, in the area, that is.

A nice set, Bart... as always. I do wish you had included a bit more of the road in #3. Would have made a nice composition.

 

--Ron

Thanks, Ron! 

the canal cuts through a rural area between Bruges and Ghent.

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There's nothing wrong with a flaky bridge.

 

Does it open very often?

Actually, this is a fixed bridge

Digital sepia is sooo difficult as it looks like an old underfixed amateur print if it is even slightly overcooked.

 

I tend to go with selenium toning effects, probably because I usually used a selenium bath in the darkroom, both for the archival properties and for the richer blacks.

 

It is a nice little series of photos. Are they scanned film or digital?

These are digital, with a China build re-issue by Light Lens Lab of an old leica lens: 8-element 35mm f2.0 .

the toning scheme is a split toning (slightly) in capture one:

with the extra that it will let you watch the paint flake, when you're tired of watching the grass grow 

from last November

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from the end of summer

sony a7 ii & pentax A50 f/1.2

flacky paint

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