Probably a 70-200 f2.8 - nice and sharp, good range and can always add a TC for additonal reach if necessary
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#21
Posted 19 October 2013 - 02:10 PM
#22
Posted 21 October 2013 - 07:55 PM
For film, it'd have to be a 40mm. (Does Nikon make one?)
For digital (APS-C), a 28mm. (Or 31mm for my Pentax.)
#23
Posted 21 October 2013 - 09:17 PM
For film, it'd have to be a 40mm. (Does Nikon make one?)
For digital (APS-C), a 28mm. (Or 31mm for my Pentax.)
The 40mm f2.8 G macro lens is only for DX (APS-C).
#24
Posted 22 October 2013 - 12:34 AM
#25
Posted 23 October 2013 - 06:16 AM
The 40mm f2.8 G macro lens is only for DX (APS-C).
Good to know. Thanks!
I have a 40mm for my Pentax, which is an ok FL, but I prefer to use it on my film cameras (even tho it's an APS-C lens, it works great on film cameras that allow aperture setting through the body).
I've got a 35mm for my Nikon film camera, but would like a little more.
I think I'm in the minority wanting this FL in a prime.
#26
Posted 23 October 2013 - 07:01 AM
#28
Posted 23 October 2013 - 08:52 AM
Good to know. Thanks!
I have a 40mm for my Pentax, which is an ok FL, but I prefer to use it on my film cameras (even tho it's an APS-C lens, it works great on film cameras that allow aperture setting through the body).
I've got a 35mm for my Nikon film camera, but would like a little more.
I think I'm in the minority wanting this FL in a prime.
If you want to step up from 35mm on Full Frame, you'd have to go to 50mm.
#29
Posted 23 October 2013 - 08:45 PM
If you want to step up from 35mm on Full Frame, you'd have to go to 50mm.
Just checked B&H.
There's this: http://www.bhphotovi..._Ultron_SL.html
And this lens would be a lot of fun (if I could afford it): http://www.bhphotovi...ikkor_45mm.html
#30
Posted 28 October 2013 - 08:27 AM
Well I have quite a bag full, but the one lens that stays on most of the time is the 18-200 which I bought before the 300 came out. I also have the big old version of the 80-400. I have the 50 1.8, and a wide angle off brand 11-17. Fact is I would miss every lens not in my bag if I had to choose, so glad for choices.
#32
Posted 28 October 2013 - 10:04 AM
#33
Posted 29 October 2013 - 12:43 PM
I'm with Andy on the 70-200 f/2.8 and teleconverter...just have too much fun with that lens...that said, I'm not sure if that's what I'll use for the challenge though...
Andy - also a David Price fan...however, you might be the first I've heard of from the UK ...
#34
Posted 30 October 2013 - 11:11 AM
#35
Posted 30 October 2013 - 03:41 PM
Fyi, that Voigtlander is a manual focus lens.Just checked B&H.
There's this: http://www.bhphotovi..._Ultron_SL.html
And this lens would be a lot of fun (if I could afford it): http://www.bhphotovi...ikkor_45mm.html
I'd love a tilt/ shift lens, too. For the price, I'll stick to fixing converging verticals in post processing!
#36
Posted 30 October 2013 - 06:45 PM
You know, as a shooter of all kinds of things, it occurs to me that this discussion is a lot like the "one gun" discussion.
Ever heard the saying, "Beware the man with one gun"?
If you only have one, and you know how to use it, you will be awesome with it.
- nbanjogal, DCB, Afterimage and 1 other like this
#38
Posted 30 October 2013 - 08:49 PM
#39
Posted 30 October 2013 - 10:02 PM
#40
Posted 31 October 2013 - 04:43 AM
Tray having just one prime lens....that will challenge you.
There are "street photographers" that only use one lens their whole career.
Peace
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