MTF on its own is a lousy metric if the goal is taking good photos. Knowing at what aperture the lens/sensor system gets diffraction-limited would be much more interesting for practical use. Many of the lenses that has made me the most sales have mediocre MTF curves as they are undercorrected, but the transition between the plane of focus and the unsharp parts and the quality of the blur renders better than a fully corrected lens.
One such example is the 180/2.8. I have, and use all three main versions of this lens as they all draw differently. The most pleasing is the original formula with 5 elements in 4 groups, without the ED element. It is nearly unusable outdoors in the daytime, though, as it is so prone to flare. It is my go-to lens for live music and indoor or evening events when I have the room for a 180. The Ais version with 5 elements in 5 groups is better corrected, but the transition is a bit harsher. I like to use it for outdoor portraiture and fashion work. The AF version, finally is a totalt different formula with 8 elements in 6 groups. The MTF chart looks much better than for the earlier versions, but the rendering is comparatively bland, perfect for product shots for catalog or e-commerce use.